The National Theatre School Drama Festival

2023 Provincial Showcase

May 10 – May 13, 2023
  • Adjudicator Maddie Bautista, Nathaniel Hanula-James, and Maude Levasseur
Run Time: 3 hours
Intermission: 1 (15 min)
Venue: Hart House Theatre
Warning: Show Warnings and Age Appropriateness will differ by show
Tickets:
  • Adult
    $15
  • Senior & Student
    $10
Door Sales / Will Call:
  • The Will Call window is located through the main theatre entrance.

  • Opens at 5 pm for evening performances and 11 am for matinees.

  • 416-978-2452

Event Ended

Overview

The National Theatre School DRAMA Festival is an opportunity for high school students to express their creativity and find their unique voice.

The Festival brings together a large community, under the guidance of professionals, adjudicators, and workshop leaders, to celebrate, discuss, and support one another's creative efforts. The event is a hub for theatre crafts, promoting them through teamwork, problem solving, and entrepreneurship. It presents to audiences, current and future, the world of possibilities that theatre has to offer.

Two Outstanding Productions from each Regional Festival are invited to perform at the Ontario Showcase. Over the course of 4 days, 12 troupes from across Ontario will perform a range of student-led-and-created work. The Dramafest hopes to usher in our next generation of theatre practitioners and connect them to a community of like-minded peers.

NTS DramaFest is Presented by ScotiaBank.

Performance Schedule

Almaguin Highlands

When the Fat Lady Sings

This play was written by teacher, Allison Green, while working with youth at the Centre for Addiction and Mental Health.  

Through monologues, scenes and choral work, teenage girls deal with society’s image of beauty while discovering, on their own, what it means to be confident and self-assured. This script was first produced in 2008, and though some statistics were updated for this current rendition – sadly, over 15 years, the issues illustrated in this play have not changed.

Pickering HS

Is My Microphone On?

Young people have inherited a burning world. In this urgent and lyrical play, they reckon with the generations who have come before them, questioning the choices that have been made, and the ones that they will yet be forced to make. Is My Microphone On? is a play in the form of a protest song, in which a chorus of young performers hold the audience to account, and invite them to experience the world together anew.

Father Henry Carr CSS

Under Pressure

Aliyah Anderson dreams of becoming a spoken word artist. Though she wants to pursue her passion, her immigrant family's expectations of success present her with difficult decisions to make. Join Aliyah on her journey of self-discovery as she struggles with her inner angst while under pressure.

St Michael CSS

146 Point Flame

"146 Point Flame" by Matt Thompson is based on the historic 1911 Triangle Shirtwaist Factory fire in New York City. Through words, movement and music, four young women share their dreams, thoughts, fears and feelings about their ultimate destinies. An Italian immigrant, Vincenza, shares her last night on Earth with romance, smiles and dancing. Tessa celebrates her life with a story about her brother and mother. Sisters Lena and Yetta meditate on the strength and endurance of moving from Russia to America and the parallels of moving from life to the afterlife. This piece illuminates the definition of human courage.

Nottawassaga Pines SS

Our Moment in Time

This play is very special to us as it showcases sapphic love without making the entire story about gay issues. Most plays, media and productions tend to make gay love stories only focus on being gay, and don’t focus on the stories that the characters tell. In Our Moment In Time, our characters Dawn and Atlas explore the grieving process and the emotions that come with it while navigating the ins and outs of teenage love. If our main couple in this show were to be heterosexual, the story would stay the same– and this is exactly what we wanted to convey.

O’Gorman

Overdose

Overdose is about Grover, a drug addict, and his last 35 minutes alive. He is a low level drug dealer and has a friend crashing in his apartment. His girlfriend, a mule who brings him a shipment of drugs, also drops in. She wants Grover to stay straight. He wants to get these people out so he can use. Along the way we learn that Grover, despite his addiction, has a rich inner life.

Waterford

Dear High School

A show about 7 teens forced to do a presentation about why their high school is the best. Their struggle to come up with an answer teaches them an important lesson about high school and themselves. 

Cawthra Park

Spring

Two music students from different worlds are pitted against each other in a competition that has the power to make or break their futures. But in the midst of their rivalry, they start to grow closer and find a way to help each other learn and grow both as people and as musicians, even finding love along the way.

EJ Lajeunesse

Dans la Noirceur

Camille a un secret. Un secret qui risque de rompre des amitiés et de changer des vies. Elle fait tout son possible pour garder ce secret caché dans la noirceur. Mais quand un message anonyme menace de dévoiler ce secret devant toute l’école, Camille ne sait plus quoi faire. Que faire quand nos secrets deviennent plus grands que nous ?

Notre Dame CSS

From the Wreckage

From the Wreckage is a rock concert/theatre hybrid that fuses storytelling with the revolutionary soul force that is rock n’roll. A young musician guides us through the creation of her first EP and the moments that inspired the hymns, unraveling folk daydreams, unclassic love songs and teen-angst anthems.  

Alice is on a desperate search for the courage to be original. In the wake of family relationships littered with shattered expectations,  she falls for new girl Noa and must weigh the possibility of hurt with the hope of connecting with love, self discovery and the future of rock n’roll. 

The music in this show, like all true rock music, is fueled by misconceptions, oppression, pushing back,  and stepping out of convention and expectations.  We don’t just want you to see this show - we want you to feel it and give you a reason to jump out of your seats and “Break Free!”

Unionville

The Last Roll

Throughout our final year of high school, we have embarked on the (up and down) journey of writing devised theatre. In our research, we delved into our unique backgrounds of culture, family, personal experiences, and interests. “The Last Roll” is an amalgamation of the truest parts from our messy creative process. Something that resonated with many of us were the connections between water and mythologies from our heritage. Coinciding with our research surrounding mythology, many of us had an obsession with the fantasy roleplay game “Dungeons & Dragons”. After playing a game of DND as a class, we found a medium of expression that oddly struck a chord within us. Admittedly, in the beginning our greatest struggle was with creating honest dialogues for the characters. But as we drew from our own letters, diaries, and photographs, our devised process was brought to life with our own intimate struggles. Using DND as a fantastical escape from everyday life, many of the predominant themes the characters face are an exploration of our past love and quarrels in relationships, while looking to new beginnings. Piece by piece, we were most excited seeing the fruition of our collaborative piece. Imaginative adventures with monsters and wizards that are reminiscent of our childhood, juxtaposing reflective conversations resonating with our lived teenage experiences. From the costumes to the banter, we are proud to present a production made authentically by us; as an ensemble, as a family.

Woodroffe HS

Chairs

What would you do if you were one of 10 people to wake up in a room, forced to play a life or death game of Musical Chairs? Would you cheat, intimidate, do whatever it takes to survive?  Would you show kindness and compassion? Or would you simply refuse to play?  The show Chairs will give you a thriller experience with some nice light-hearted moments of levity. This show is not for the faint of heart. We dare you to come and play.

Covid Policies

Hart House strongly encourages the wearing of masks.

Effective July 1, masks are no longer required to be worn in all indoor spaces of Hart House, including the Hart House Theatre, Hart House Fitness Centre, and the Justina M. Barnicke Gallery at Hart House.

We ask everyone to respect others' decisions, comfort levels & health needs. For up-to-date protocols on visiting U of T campuses, please see the Covid planning update on the U of T website. If you do not have a mask, one will be offered to you at the Information HUB or Fitness Information Desk. Please see U of T's latest statement on masks.

Getting Here

Parking and Drop Off:

  • Due to ongoing construction as part of the U of T Landmark project, there is no parking in the immediate vicinity.
  • It is recommended that if you are arriving by car/Uber/Taxi you are picked up and dropped off in the 18 Queens Park Crescent West Loading Dock, where there is roundabout access.
  • An alternative drop off is the Hoskin Avenue/Tower Road intersection.
  • Please note – there is no roundabout for vehicles on Tower Road.
  • Both drop off locations have ramp access to the elevator on the first floor of Hart House which leads down to the Theatre by hitting the (T) button.
  • Hart House Circle from the Wellesley St underpass is closed to vehicles.
  • The closest parking to the Theatre is a 6-minute walk away.
  • Please visit the Parking Services website for more information about parking on the U of T campus.
  • Please visit TTC Service advisories for posted interruptions to TTC service.
  • The closest subway stop is Museum Station.

We encourage you to plan ahead and give yourself extra time if you are thinking of driving or parking.

More information is available through our Visitor Info page.