About
August 11, 2023 is Hip-Hop's 50th Anniversary! Join us in celebrating Hip-Hop’s influence and contributions to the arenas of culture (music, beatmaking, dance, visual arts, television, film, journalism and photography), education and pedagogy, business and branding, and the collection of oral and archival histories. Hip-Hop culture – now a global cultural export – is more than an expression of the creative arts. Hip-Hop culture has shaped the contours of our everyday life, practices, and institutions – including the knowledge production practices of the university.
You are invited to join a groundbreaking series that revolves around the following vital principles, bringing together Hip-Hop, Education, and Community:
- Embracing Inclusive Education: We recognize the need for Hip-Hop education in institutions that may often uphold elitism, hierarchy, privilege, and power. Our mission is to break down these barriers and foster a space where all voices are heard and valued.
- Bridging Communities Ethically: Universities hold knowledge production in high regard, but we understand the importance of involving the community in an ethical and meaningful manner. We strive to shift the paradigm and empower Hip-Hop culture to shine within academia.
- Engaging Trailblazers and Masters of the Craft: Discover the visionaries who have shaped Hip-Hop's journey, with a special focus on Toronto and the Greater Toronto Area. Explore the fifth element of Hip-Hop – "knowledge of self" – and unveil the knowledge production processes that make this culture truly unique.
- Amplifying Hip-Hop Pedagogy: Explore the impact of Hip-Hop pedagogy at all education levels, from elementary to high school, and beyond into post-secondary (university and college) settings. Witness how this dynamic approach empowers students and fosters a passion for learning.
- Unleashing Creativity: Collaborate and learn with talented and important Toronto and Greater Toronto Area artists and practitioners to immerse yourself in the mesmerizing creative processes of Hip-Hop's various practices and pillars. Discover the beauty of expression and how it shapes the world around us.
- Reflecting on Ethics in Capitalist Spaces: Engage in meaningful discussions on the ethical deployment of Hip-Hop knowledge within spaces influenced by capitalism. Let's explore how we can use this cultural force for positive change without compromising its essence.
- Preserving Local and Trans-Local Histories: Delve into the fascinating journey of Hip-Hop and its impact on local and trans-local communities. Embrace the opportunity to celebrate its rich history while ensuring its legacy lives on for generations to come.
- A Tribute to Toronto Hip-Hop History: Be a part of history as we commission a remarkable art piece created by two generations of Toronto Hip-Hop Heritage, celebrating and documenting the vibrant tapestry of Toronto Hip-Hop from it’s beginning to the year 2000.. This living tribute will forever encapsulate the essence of our culture.
Join the Celebration!
We extend our warm invitation to academics, community members, artists, Hip-Hop practitioners, youth, students, and anyone interested in Hip-Hop and Hip-Hop culture.
Mark your calendars and be a part of this extraordinary event series, where culture, knowledge, and creativity unite!
The First 50: Toronto’s Hip Hop Architects
This exhibition features 50 of the most influential figures of the Toronto Hip Hop scene between the years 1980-2000.
Citizen Kane’s Spade: Toronto’s OG B-Boy
Don't miss this rare opportunity to be part of a transformative discussion and immerse yourself in the wisdom of one of Hip-Hop's greatest.
“Know The Ledge”: Hip Hop Education, Pedagogy, & Professional Development
This professional development day explores the role of Hip-Hop education, pedagogy and curriculum building at all levels of schooling.
Book Launch: The Oxford Handbook of Hip Hop Dance Studies
Join us for a conversation about the groundbreaking Oxford Handbook of Hip Hop Dance Studies.
Producers’ Circle
This drop-in, co-curricular initiative seeks to support Hart House's Hip Hop Education program by bringing together beatmakers producers and music creators.
Lyricists’ Lounge
In partnership with Toronto2.0, and Never Quantize, these low-key sessions are intended for anyone interested in exploring the craft and the art of Hip Hop.
Making A Scene: Toronto Hip Hop at Hip Hop 50
Celebrate the making of our Toronto Hip Hop scene in a day-long conference!
Program schedule
Citizen Kane’s Spade: Toronto’s OG B-Boy
Location: Music Room, Hart House, Second Floor
With a career spanning over three decades in Toronto Hip Hop, Jeff ‘Spade’ Duke is Toronto’s OG b-boy having mastered the elements of graffiti (as Crazy Roc of the Graffiti Knights), breaking (as a dancer for Michie Mee and Intrikit), and emceeing (as the legendary emcee Spade of Citizen Kane). Known in the early days of the culture as the Hip Hop barber and eventually becoming a music producer and the owner of Treehouse Records, Jeff is a Hip Hop artist, innovator and entrepreneur.
To celebrate his artistic legacy, we begin with a conversation moderated by Michele Geister - creator of MuchMusic’s RapCity - and commentary from special guests, and will close with a special screening of director Alison Duke’s Raisin’ Kane: A Rapumentary which highlights the journey of Citizen Kane to promote their sophomore album Deliverance.
Co-Presented with Hip Hop Education Centre, join us for an evening to officially launch the 50th Anniversary of Hip Hop!
Guests
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Jeff ‘Spade’ Duke
Rapper/Recording Artist/B-Boy/Graffiti Artist
Jeff ‘Spade’ Duke is a b-boy (a dancer for Michie Mee), graffiti writer (Crazy Roc of the Graffiti Knights), emcee (Spade of the Canadian Hip Hop duo Citizen Kane), and independent record label owner (Treehouse Records). Raised in Scarborough, Toronto, together with Rob "Blye" Paris, Jeff released his debut single, "Soul Survivor" in 1995, his debut album The Epic in 1997, and then his sophmore album Deliverance in 1999 - a release that was considered to be one of the best Canadian Hip Hop offerings of the ‘90’s. Citizen Kane’s efforts to promote Deliverance, in the face of Canadian hip hop's struggle to gain commercial and critical attention in that era, was filmed by Duke's sister — Alison Duke — for the National Film Board of Canada’s documentary Raisin' Kane: A Rapumentary (released in 2001). The duo was also nominated for a Juno Award — first in 1999 for Rap Recording of the Year for their EP The Epic, and then again in 2000 for their album Deliverance. In May 2020, Citizen Kane teamed up with TopLeft Recordings to put out the Scartown Unreleased ClassIcs mixtape - a collection of past recordings from 2001 to 2005 that were never released - which was mixed by DJ Law and mastered by Quarter Inch Kings.
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Michele Geister
Creator of MuchMusic's RapCity/Artivist/Community Builder
Raised in Kitchener-Waterloo before moving to Toronto in 1985, Michele Geister is a creator, producer, director and feature writer of iconic content for television, radio and print, on international networks in Canada, Jamaica and Europe. Recognized for her contributions toward the development of the Canadian Black and Hip Hop music industries through her MuchMusic series: Soul in the City and RapCity; she is also the creator and original director of Jamaica's beloved morning show Smile Jamaica, and the independent lifestyle series – Island Dreams and Vibes Cuisine. In addition to her work in Hip Hop, she is also a go-to media consultant for veteran and new wave reggae stars. More recently, she serves as Media Director of the Source Farm Ecovillage–an intentional off-grid community in Jamaica that is active in its efforts to combat climate change by prioritizing food security, permaculture design, and traditional plant medicine therapies. Invested in edutainment for young people, she is also the co-creator of the Unuh game app and learning management system that uses neuro linguistic programming principles to assist youth with their personal development.
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Dr. Francesca D’Amico-Cuthbert
Program Associate
Francesca D’Amico-Cuthbert is an award-winning historian of American and Canadian Hip Hop culture, the creative industries, and the music marketplace. She holds a Ph.D. in History from York University in Toronto, Canada (2019) and has served as a postdoctoral researcher at the University of Toronto (2020-2022) and the University of Calgary (2022-2023). Her doctoral research traced how American emcees in the era of mass incarceration constructed complex ethnographies of urban spaces, transformed dispositions of power, and unmasked the modes and mechanisms of a persistent and haunting coloniality in the afterlives of American slavery. Her recent postdoctoral research explores Canadian Hip Hop’s relationship to national mythmaking, commerce, anti-Black market segmentation and the availability of state revenue streams and marketplace exposure. Her research has been published in: #HipHopEd: The Compilation on Hip Hop Education, The Journal of Canadian Historical Association, Canadian Journal of History, Musicworks, and The Dance Current.
As an Hip Hop educator Francesca has taught several courses on the histories of popular culture, including “Hip Hop and the City” – a course that explores Hip Hop’s evolution from a translocal urban art form to a global commodity. In addition to being a multi-disciplinary creative with training in vocal and instrumental music, dance, and the dramatic arts, Francesca also serves as the Chief Research Officer at the New York City based Hip Hop Hop Education Center where she works collaboratively to establish Hip Hop Education standards and the professionalization of the field.
Co-Presenter
“Know The Ledge”: Hip Hop Education, Pedagogy, & Professional Development
Location: East Common Room, 1st Floor, Hart House
Inspired by the title of the Rakim recording “Know The Ledge” – featured on the Juice soundtrack – this professional development day explores the role of Hip Hop education, pedagogy and curriculum building at the elementary, high school, and post-secondary (college and university) levels of education. The morning and afternoon sessions will feature some of the foremost thought leaders in the arena of Hip Hop education, teaching and curriculum development in formats that include panel discussions and facilitated workshops. The day’s conversations, which are intended for both teachers and teacher candidates alike, will detail the value and practical application of Hip Hop pedagogy and strategy in the classroom. As RZA of the Wu-Tang Clan once expressed, “knowledge is to know the ledge so we don't fall off the edge.”
Facilitators
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Dr. Francesca D’Amico-Cuthbert
Program Associate
Francesca D’Amico-Cuthbert is an award-winning historian of American and Canadian Hip Hop culture, the creative industries, and the music marketplace. She holds a Ph.D. in History from York University in Toronto, Canada (2019) and has served as a postdoctoral researcher at the University of Toronto (2020-2022) and the University of Calgary (2022-2023). Her doctoral research traced how American emcees in the era of mass incarceration constructed complex ethnographies of urban spaces, transformed dispositions of power, and unmasked the modes and mechanisms of a persistent and haunting coloniality in the afterlives of American slavery. Her recent postdoctoral research explores Canadian Hip Hop’s relationship to national mythmaking, commerce, anti-Black market segmentation and the availability of state revenue streams and marketplace exposure. Her research has been published in: #HipHopEd: The Compilation on Hip Hop Education, The Journal of Canadian Historical Association, Canadian Journal of History, Musicworks, and The Dance Current.
As an Hip Hop educator Francesca has taught several courses on the histories of popular culture, including “Hip Hop and the City” – a course that explores Hip Hop’s evolution from a translocal urban art form to a global commodity. In addition to being a multi-disciplinary creative with training in vocal and instrumental music, dance, and the dramatic arts, Francesca also serves as the Chief Research Officer at the New York City based Hip Hop Hop Education Center where she works collaboratively to establish Hip Hop Education standards and the professionalization of the field.
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Dr Rhonda C. George
Turntablist, Sociologist
Dr. Rhonda C. George is a turntablist and award-winning sociologist whose research examines the social and intersectional dimensions of race, racialization, and racial stratification within social institutions. Her interdisciplinary work interrogates the ways in which Black communities, particularly Caribbean diasporic groups, experience, navigate, and resist systemic racial barriers. She is particularly interested in how Black Popular Culture shapes the identity formation, epistemologies, and aspirations of Black communities.
Guests
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Dalton Higgins
Author / Publicist / Journalist / Course Instructor
Dalton Higgins is an award-winning journalist from Toronto’s “Little Jamaica'' neighbourhood who first began writing for publications such as The Source Magazine – “the Bible of hip-hop music culture and politics” – where he penned the magazine’s first major interviews for many iconic artists – everyone from J Dilla to Nelly. He would go on to author six books – two of which centered the subject of Hip Hop (Far from Over: The Music and Life of Drake, which is carried in the Rock n’ Roll Hall of Fame & Museum’s collection and his best-selling book Hip Hop World which is used in dozens of high school and college curriculums and is carried in Harvard University’s Hip Hop archive). As a broadcaster, Higgins has hosted his own digital cable TV show “Urban Groove'' on BPM TV, and has co-produced and co-hosted podcasts for the CBC (This Is Not A Drake podcast) and Rogers Media (Black Tea). As a well-known Toronto publicist, his company roster includes clients that have won a wide range of awards and accolades including: Grammy Awards (USA), BET Awards (USA), Emmy Awards (USA), The Mercury Prize (UK), Victoires de la Musique/French Grammy’s (France), and Juno Awards (Canada). More recently, as the Toronto Metropolitan University’s Music-Pro-in-Residence, Higgins created and teaches the university course “Deconstructing Drake and The Weeknd” that has been featured on CNN, New York Times, NPR, BET, Revolt TV, and 6ixBuzz among many other media outlets.
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Shaheen Ariefdien
Educator/artist/African-centered rites of passage facilitator
Shaheen Ariefdien is a Tuesday-born class clown, son, partner, Child and Youth Care practitioner, African-centered Rites of Passage facilitator, arts practitioner, Hip Hop producer, and educator at Humber College. He has worked on numerous community and youth-based projects in regions as diverse as South Africa, Switzerland, Angola, Holland, Namibia, Denmark, Northern Ireland and Canada. As a member of the pioneering Hip Hop group, Prophets of da City, he has performed at the inaugurations of Presidents Nelson Mandela and Thabo Mbeki. He has also produced and co-produced over a dozen albums. He has also performed with The Fugees, James Brown, Quincy Jones, to name a few. His writing contributions have appeared in Jeff Chang’s Total Chaos: The Art and Aesthetics of Hip-Hop (2007), Paul Saucier’s Native Tongues: The African Hip Hop Reader (2011) and H. Samy Alim, Jeff Chang and Casey Wong’s Freedom Moves: Hip Hop Knowledges, Pedagogies, and Futures (2023). Shaheen has a passion for exploring African-centered, arts-based and other non-Eurocentric approaches to Child and Youth Care and education. He is interested in exploring the connections between hip hop, justice and healing.
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Jon Corbin
hip-hop artist, spoken word poet, speaker, band leader, writer and DJ
Jon Corbin is a Canadian hip-hop artist, spoken word poet, speaker, band leader, writer and DJ based in Milton, ON. Since 2001, first under the name The Runaway, Jon has blessed stages big and small with lyrical themes of faith, love, family, social justice, and personal growth.
Corbin is a veteran artist who has quietly carved a niche in Canada’s hip-hop community, collaborating with multiple Polaris Music Prize nominee Shad, Juno Award winner Caroline Brooks of The Good Lovelies, and many other revered emcees on both sides of the border.
As a speaker, Corbin speaks passionately on topics of identity, race and racism, mental health and community connections. As a musician, Jon provides a dynamic show that stays true to the basic tenets of hip-hop: peace, love, unity, and having fun!
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Michael “MikeAll” Grandsoul
Michael “MikeAll” Grandsoult is a Scarborough, Ontarian and Hip Hop Headucator. He began writing poems in the primary years of elementary school and started rapping in the junior grades. He has released three solo albums; "Mike Check" (2008), "Mike Support" (2015) and "Mike All" (2018). In 2012, Michael became a published author for the first time via the anthology, “Basodee.” Michael is currently an elementary school teacher with the Toronto Catholic District School Board. He uses rap/poetry as a bridge for learning and strives to promote passion for literacy. He credits his love of literature to his Guyanese- born parents, Cheryl and David Grandsoult, who read to him as a child and encouraged him to read and write. MikeAll’s goal is to put the poet back into Rhythm And Poetry. https://mikeall.bandcamp.com/ https://www.youtube.com/c/mikeallhiphop
MikeAll is a Scarborough, Ontarion and Hip Hop Headucator. He began writing poems in the primary years of elementary school and started rapping in the junior grades. He has released three solo albums; "Mike Check" (2008), "Mike Support" (2015) and "Mike All" (2018). MikeAll’s goal is to put the poet back into Rhythm And Poetry. https://mikeall.bandcamp.com/ https://www.youtube.com/c/mikeallhiphop
Book Launch: The Oxford Handbook of Hip Hop Dance Studies
Location: Music Room, 2nd Floor, Hart House
Join us for a conversation about the groundbreaking Oxford Handbook of Hip Hop Dance Studies.
Special Guests
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Mary Fogarty
Mary Fogarty is Associate Professor of Dance at York University, Toronto. A long-time member of the KeepRockinYou arts collective that organizes the Toronto B-Girl Movement, Mary has taught and performed in various countries. She has served as a judge at various international Breaking competitions, including the first Olympic qualifier (held in South Korea in 2022) that will help determine who competes when Breaking debuts at the Paris Summer Olympics (in 2024). Mary has published two collections of research on dance: The Oxford Handbook of Hip Hop Dance Studies (2022, co-edited with Imani Kai Johnson) and Movies, Moves, and Music: The Sonic World of Dance Films (2016). Her other recent research appears in We Still Here: Hip Hop North of the 49th Parallel (Marsh and Campbell, eds., 2020), and The Oxford Handbook of Dance Competition (Dodds, ed., 2019). She serves on the editorial board of Global Hip Hop Studies, and DIY, Alternative Cultures and Society. Mary has also been an invited Visiting Scholar at the Hip Hop Education Center, founded by Martha Diaz at NYU, an invited teacher with Alesandra Seutin’s Vocab Dance Company, chair of PoP Moves Americas, and past President of IASPM-Canada.
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Serouj Aprahamian
Serouj “Midus” Aprahamian is Assistant Professor of Dance at the University of Illinois, Urbana-Champaign, USA, and a long-time practitioner/scholar of breaking, popping and underground hip-hop dance styles. As a member of Style Elements Crew, a group widely credited for adding a new vocabulary to breaking in the 1990s, he has gained notoriety for his unique choreography and traveled throughout the world teaching, performing, and judging hip-hop dance events. His most recent book is The Birth of Breaking: Hip-Hop History from the Floor Up (Bloomsbury 2023) and his scholarly writings have appeared in the Journal of Black Studies, Dance Research Journal, IASPM Journal, The Oxford Handbook of Hip Hop Dance Studies (Oxford University Press 2022), and the forthcoming anthology Power Moves: Dance, Culture, Politics (Playwrights Canada Press).
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Diana Reyes
Diana Reyes also known as Fly Lady Di (she/her) is a multi-disciplinary artist, recognized for her work as a street dance artist, and DJ. Born and raised in Toronto, her current explorations combine her ancestral Filipino heritage with contemporary concepts - through dance choreography, performance making and joke writing. Most notably, her work includes Honey (Universal), Fall Out Boy's 'Dance Dance', and performances with artists like Ciara, Jason Derulo, the Clipse feat. Pharrell, MC Lyte and BlackSTREET to name just a few. She's been featured on etalk, Toronto Life, Toronto Star, Dance Current and countless publications in North America and abroad. Her work has also brought her all over Europe, Asia and South America and she's been supported by federal, provincial and city granting bodies. She plans to further investigate pre-colonial Filipino culture and incorporate that into her work as a performance maker. www.flyladydi.com
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Rebecca Barnstaple
Rebecca Barnstaple is the Manager of Community Initiatives, Research & Innovation at Chigamik Community Health Centre in Midland, Ontario. She completed a PhD at York University investigating the neurobiological effects of dance, and is now mapping improvisatory movement practices and their medicinal properties as a postdoctoral fellow at the Institute for Critical Studies in Improvisation, University of Guelph. A graduate of the National Centre for Dance Therapy at Les Grands Ballets Canadiens in Montreal, she also provides dance-based programs for neurodegeneration and research and training on dance and health.
Producer's Circle
Location: Music Den, The Creative School, Toronto Metropolitan University
Join legendary producer K-Cut for an informal workshop session that brings together beatmakers, producers and music creators (at all levels of knowledge) to share beats, tracks, techniques, questions and ideas in a supportive and inclusive environment. The stories that this man can tell, you won’t want to miss!
Part of the Producer's Circle 2023-2024 series:
Guest
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K-Cut
Producer, DJ
Kevin McKenzie professionally known as K-Cut, is a Canadian record producer and DJ, most notably as a member of East Coast hip hop group Main Source.
In 1989, Main Source released their first independent 12" single, "Think" b/w "Atom", under the mentorship of producer/engineer Paul C. On July 17, 1989, Paul C was murdered in his home; K-Cut later stated that Main Source "basically inherited Paul C's style" and strove to "carry the torch" of his sound going forward. During this period, K-Cut helped teach DJ Premier sampling techniques on the E-mu SP-1200. After self-releasing their second 12" single "Watch Roger Do His Thing" in 1990, the group signed to Wild Pitch Records.
In 1991, the group released their debut album, Breaking Atoms, which is regarded as one of the greatest hip hop albums of all time. Although Large Professor produced the majority of the album, K-Cut was praised for his "creative, energetic scratching", particularly on the track "Peace Is Not the Word to Play", which he produced. Also that year, K-Cut's production appeared on Queen Latifah's album Nature of a Sista', and he produced the bulk of The Black Tie Affair, an album by Toronto rapper Maestro Fresh Wes, which was certified gold in Canada.
The following year, K-Cut produced the Main Source single "Fakin' the Funk", which appeared on the White Men Can't Rap soundtrack and peaked at number one on the Billboard Hot Rap Singles chart. In 1993, he produced the Fu-Schnickens single "What's Up Doc? (Can We Rock)", featuring Shaquille O'Neal, which peaked at number 39 on the Billboard Hot 100 and was certified gold in the United States. That year, Large Professor left Main Source due to business differences, with K-Cut taking over as the main producer for their 1994 album Fuck What You Think. The album's single, "What You Need", was sampled for Madonna's 1995 worldwide hit "Human Nature", which credits K-Cut as a songwriter.
By the late 1990s, K-Cut moved back to Toronto, further contributing his production to the city's hip hop scene. In 1997, he produced the Infinite single "Gotta Get Mine" (featuring Divine Brown) and contributed to Citizen Kane's EP The Epic, both of which were nominated for a Juno Award for Best Rap Recording. He also produced two tracks for Choclair's 1999 debut Ice Cold, which won the aforementioned Juno Award.
Co-presented with
Lyricist's Lounge
Location: Arbor Room, Hart House, Basement
Join legendary emcees, Keysha Freshh and Dan-e-o for an informal workshop session that brings centered on bringing together lyricists and music creators (at all levels of knowledge) to share rhymes, techniques, questions and ideas in a supportive and inclusive environment.
Part of the Lyricist's Lounge 2023-2024 series:
Guests
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Daniel Faraldo a.k.a. Dan-e-o
MC/Actor/Songwriter
A Scarborough-based emcee, Daniel “Dan-e-o” Faraldo first won a Rap-Off Contest on Toronto’s “Electric Circus” dance show at the age of 13. Five years later, in 1996, his first single “Dear Hip Hop” (considered a Canadian Hip Hop classic) was featured on Beat Factory’s Rap Essentials Volume One compilation. In 1997, Dan-e-o established his crew, Monolith by co-founding One Rock Records and independently releasing the EP, The Long Awaited... the following year. He would go on to release a number of other albums: The Book of Daniel (2000), See No Evil, Hear No Evil (2004), Immortal(2013), Inevitable (2013), Dear Hip Hop: 20 Years Later (2017), The Day It All Changed (2020). Together fellow rap veteran Promise Dan-e-o formed the duo “Perfeck Strangers” and released their debut album Series Premiere in 2012. Dan-e-o has also worked as an actor, appearing in the series Breakout Kings as well as the feature-length films Anything Goes, Tapped Out, Lifechanger and most recently, World’s Best (streaming on Disney +).
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Keysha Freshh
MC, Songwriter, and Educator
Dubbed “Hip Hops kid sister”, Keysha Freshh blends everything you love about the 90’s with everything you appreciate about Hip Hop. Born in Toronto, Keysha found a love for hip hop spending summers in NYC. She was exposed to the culture at an early age, listening to mixtapes her cousins would have. Keysha had her first song published when she was 5 years old, the song was titled “Summers coming” and she has been performing ever since. Keysha performed her first written rap, at the age of 12 while she was a member of the Toronto Children Concert Choir.
After expressing her desire to record music to hit maker and super-producer T-Minus (credits: Lil Wayne, Drake, Nicki Minaj) he referred Keysha to a local studio and she recorded her first song “Pardon my swag”. In 2009, Keysha then went on to record her very first official single “Hollywood Fresh”, which received rave reviews and radio play across North America. Keysha was the youngest female Hip Hop artist to have 3 songs in rotation on 93.5FM (then Flow 93.5) which, at the time was Canadas leading urban radio station. The remix to “Hollywood Freshh” soon followed featuring Gunna (who also produced the beat) and Hip Hop artist MIMS (This is why I’m hot). MIMS along with Hip Hop legend Doug E Fresh also appear in the music video for “Hollywood Fresh”.
After the success of her first single, she has recorded 1 demo project, 3 mixtapes, 4 EP’s 1 collab album (All The Wrong Places; Pearls and bones one group album (Pledge; The Sorority) and 1 solo Album. Keysha has shared stages with artist such as; Joey Bad a$$, Miguel, Drake, Snoop Dogg, Jidenna, The Internet, DVSN, Main Source, Dan Hill, MC Lyte, Smif-N-Wessun, A TRAK, Cassidy, Ghostface and many more. Keysha has since worked with artist such as Maestro Fresh Wes, Saukrates, King Reign, Ray Robinson, MIMS, Doug E Fresh, Diamond D, Geechi Suede of Camp Lo and more.
Co-presented with
Making A Scene: Toronto Hip Hop at Hip Hop 50
Location: Second Student Centre, 15 Library Lane, York University (Keele Campus)
On Hip Hop culture’s momentous fiftieth anniversary, we celebrate the making of our Toronto Hip Hop scene in a day-long conference at York University that endeavours to look back, archive and preserve.